HDR

An HDR session carries a 10-bit BT.2020 PQ (HDR10) picture from the host's display to your screen. It is on by default wherever it works, and a session that can't be HDR streams 8-bit BT.709 SDR instead. Which one you get is decided before the first frame: the host resolves every gate below, then tells the client what it is really going to send. Nothing on this page takes effect mid-stream, so reconnect after changing any of it.

The chain

Four things must all be true. If your stream is SDR when you expected HDR, one of these is why.

1. The source. What the host captures must hand it 10-bit PQ pixels. This is the link that fails most often, and it is entirely a host-side question — see Per host.
2. The encoder. The host GPU must encode 10-bit for the codec the session picked. The host probes this by opening a tiny real encoder once per GPU and codec, and believes the answer. (PyroWave skips the probe — it has its own rule, below.)
3. The codec. Only HEVC, AV1 and PyroWave have a 10-bit path — see Codec rules.
4. The client. Your client must advertise 10-bit and HDR (its HDR setting), and be able to present or tone-map PQ.

The host allows 10-bit by default (PUNKTFUNK_10BIT). It only ever allows — the client's setting is the real per-session switch.

Per host

Windows

The Windows host creates a virtual display for your session and turns HDR on for that display itself when the session negotiated 10-bit. You do not have to enable "Use HDR" in Windows Settings first: Punktfunk enables advanced colour at capture open, waits for it to settle, then composes in FP16 and encodes P010 BT.2020 PQ. The reverse is enforced too — a session that negotiated SDR forces advanced colour off on that display, so a client that asked for 8-bit is never handed PQ. If enabling it fails, the host logs a loud error and encodes 8-bit anyway: the client was already told HDR, so that is the one place a Punktfunk label can outrun the picture. The log says so.

Two details worth knowing:

• HDR usually beats 4:4:4. For HEVC and AV1 there is no 10-bit full-chroma capture source, so an HDR session drops to 4:2:0 and says so. If you want full chroma with those codecs, turn HDR off for that profile. PyroWave is the exception: its Windows capture path writes full-resolution 10-bit chroma, so it can carry HDR and 4:4:4 together.
• Vulkan games need the bundled layer. NVIDIA and AMD Vulkan drivers refuse to advertise any HDR colour space for a surface on an indirect (virtual) display, so Vulkan games decide the device "does not support HDR" — even though the driver happily presents an HDR swapchain there. The host installer ships an implicit Vulkan layer, VK_LAYER_PUNKTFUNK_hdr_inject, that adds those formats back (installer task Install the HDR Vulkan layer, ticked by default). It self-gates on the monitor's live advanced-colour state, so it does nothing on an SDR session, and it already skips a built-in list of kernel-anti-cheat titles. DISABLE_PF_VKHDR=1 in a game's environment switches it off for that process; PF_VKHDR_EXCLUDE=foo.exe,bar.exe skips further executables by name. D3D11/D3D12 games need none of this.

Linux + gamescope

A stock gamescope tone-maps its composite down to 8 bits before handing it over, so its capture output is SDR no matter what the game rendered. Real HDR needs punktfunk-gamescope, a build carrying a patch that adds the 10-bit PQ formats to its PipeWire node. It installs beside your system gamescope rather than replacing it; HDR on gamescope has the package for each distro.

The host settles two facts before spawning anything: the gamescope binary it will run carries the patch (its --version banner contains +pfhdr), and this host is the one starting the session rather than attaching to a node someone else started.

Attach mode is the trap. The patched build only reaches sessions the host spawns itself — managed, PUNKTFUNK_GAMESCOPE_SESSION, or a bare spawn. A session started by your display manager runs the distro's own gamescope, which offers neither the 10-bit formats nor the in-node cursor. The host cannot tell that from the outside unless you pinned PUNKTFUNK_GAMESCOPE_NODE: with PUNKTFUNK_GAMESCOPE_ATTACH=1 and the patched build installed it reads the binary, believes HDR is available, and offers it. The attached session can't answer that negotiation, so the connect fails with no picture, the host latches an SDR downgrade for the rest of its life, and the next connect streams — in SDR.

That is exactly what the Bazzite template ships: it pins attach and the sysext installs punktfunk-gamescope. Either comment PUNKTFUNK_GAMESCOPE_ATTACH=1 out and let the managed default take over (you get HDR and the compositor-drawn cursor), or stay on attach and set PUNKTFUNK_GAMESCOPE_HDR=0 so the failed attempt never happens. Staying on attach also leaves the stream with no cursor; HDR on gamescope has the fix for that half.

SDR content rides the same PQ container — the desktop, the Steam overlay, an SDR game — mapped in at PUNKTFUNK_GAMESCOPE_SDR_NITS (gamescope's own default is 400). That is the knob when white looks too bright or too dim on your TV.

Linux + GNOME

A Punktfunk host serves two protocols: its own punktfunk/1, which the Linux, Windows, Apple and Android apps speak, and GameStream, which Moonlight speaks. GNOME HDR is available on the GameStream side only.

GNOME 50 added HDR screencast for real monitors only, so this route mirrors a monitor instead of creating a virtual display: set PUNKTFUNK_VIDEO_SOURCE=portal, put the monitor in HDR mode in Settings → Displays, and connect an HDR-capable client. PUNKTFUNK_CAPTURE_MONITOR=<connector> pins which head, and when it is set the host checks that monitor's colour mode rather than asking whether any monitor is in HDR. If none is, the session degrades to 8-bit SDR and says so in the log.

A Punktfunk app connecting to a GNOME host over punktfunk/1 gets SDR. On that protocol the only Linux HDR source is the gamescope virtual output.

Linux virtual displays on KWin, Mutter and wlroots

These are SDR. Mutter's RecordVirtual streams and the KWin and wlroots virtual outputs are 8-bit upstream, so there is nothing for the host to capture in 10 bits — no setting changes this. Streaming a physical monitor with the Streamed screen setting is SDR to a Punktfunk app too, HDR panel or not; the GNOME/GameStream route above is the only Linux monitor mirror that can be HDR.

Per client

The Linux and Windows clients are deliberately looser: they advertise HDR whenever the setting is on and let the presenter sort out the display side — HDR10 swapchain where the compositor offers one, tone-mapped to SDR where it doesn't. The stats overlay says which happened: HDR versus HDR→SDR.

One exception: frames from software decode never take the HDR10 swapchain, whatever the surface offers. On a client with no hardware HEVC decode an HDR stream is therefore presented on the SDR swapchain without a tone-map, which looks washed out. Turn the client's HDR setting off there. The Steam Deck plugin streams through this same client.

Codec rules

• HEVC — Main10. The usual HDR codec.
• AV1 — 10-bit, where the GPU encodes it. Advertised separately from HEVC, so a box that does one and not the other tells the truth about each.
• H.264 — never. High10 is not an encode mode on the hardware Punktfunk targets, so negotiation never even asks. Pinning H.264 in your client settings pins the session to SDR.
• PyroWave — carries HDR in 16-bit planes, but only from a Windows host. The Linux PyroWave capture path has no HDR colour conversion, so a Linux-hosted PyroWave session is SDR. Use HEVC or AV1 for HDR from Linux.

One more rule if you also use full chroma: a Linux host encodes 4:4:4 at 8 bits, so a session that negotiates both resolves back down to SDR before the stream starts. On Linux 4:4:4 wins; on Windows HDR does. Full chroma is off until you turn it on, so this only bites if you did.

Check it

On a Linux host, one subcommand answers every link in the chain:

punktfunk-host hdr-probe

It prints, line by line: whether a monitor is in BT.2100 colour mode, whether the resolved gamescope offers 10-bit PQ capture, the state of PUNKTFUNK_GAMESCOPE_HDR, whether gamescope will paint the cursor into the capture node, the encoder's Main10 answer for HEVC and for AV1, whether the resolved compositor can do HDR on Punktfunk's own plane, and the combined GameStream capability.

Run it with the environment the host service has. The service loads host.env itself; your shell does not, and PATH decides which gamescope binary gets probed:

set -a; . ~/.config/punktfunk/host.env; set +a
punktfunk-host hdr-probe

There is no hdr-probe on Windows. What Windows has instead is a GPU colour self-test for the capture conversion, which needs no display or session:

punktfunk-host hdr-p010-selftest 1920x1080 nvidia

Pass your real capture size (heights like 1080 are not 16-aligned and take a different driver path) and, on a dual-GPU box, the vendor that encodes — intel, nvidia or amd.

From the client side, set the stats overlay to Detailed. On Linux and Windows it adds an HDR tag — or HDR→SDR when a PQ stream is arriving but the local surface can't present it. Android prints the negotiated depth and colour outright at the same tier (HEVC · 10-bit · HDR (BT.2020 PQ) · 4:2:0).

The switches

Host, in host.env:

Client: one toggle, in Settings under Quality with the rest of the video settings — 10-bit HDR on the Linux, macOS, iOS, iPadOS and tvOS apps, HDR (10-bit, BT.2020 PQ) on Windows, HDR on Android. It is on by default on all of them. Turning it off means "never send me 10-bit", and the host then never upgrades the session. Like the other video settings it can be set per profile, so a Work profile can prefer 4:4:4 while a Couch profile prefers HDR.